2014, Project Coordinator, SakKijâjuk: Inuit Fine Art and Craft Exhibition from Nunatsiavut
2014, Project Coordinator, Mobilizing Inuit Cultural Heritage
2014, Project Coordinator, Project Coordinator – 30th Anniversary Archive, Canadian Art Magazine
2014, Research Assistant, Dr. Anna Hudson, York University, Department of Art History
2014, Research Assistant, Art Canada Institute
2014, Teaching Assistant, York University, VISA 1006: The Photographic Experience
2013, Editorial Intern, Canadian Art Magazine
2013, Curatorial Intern, Kitty Scott, Art Gallery of Ontario, Department of Contemporary and Modern Art
2013, Teaching Assistant, York University, VISA 1000: Critical Issues in the Studio
2012, Research Assistant, Dr. Sarah Parsons, York University, Department of Art History
2012, Office Administrator, Presentation House Gallery, North Vancouver
2012, Youth Educational Outreach Coordinator, Chester Fields Project, Presentation House Gallery, North Vancouver
2010 – 2011, Research Assistant, Dr. John O’Brian, University of British Columbia, Department of Art History
2010, Course Facilitator, Student Directed Seminar, University of British Columbia, “Creating a National Image: Iconography and Identity in Canada”
2015, Ongoing Co-Curator, iNuit Blanche, St. John's, NL
2015, Summer Co-Curator, Tatigi, Toronto, ON
2014, Ongoing Co-Curator, ARCTICNOISE, Multiple Locations
2013, Fall Curator, Past Tense/Future Present, Toronto, ON
2011, Spring Curator, Edge of Landscape, Vancouver, BC
MA (In Process) York University
Area of Specialization: Contemporary Canadian Art
BA University of British Columbia, 2011
Area of Specialization: Contemporary Canadian Art
2015 Canada Council Media Arts Grant: Arctic Noise
2015 SSHRC Connections Grant: In collaboration with Ethnographic Terminalia
2013 Joseph-Armand Bombardier Canada Graduate Scholarships
2012 York University Graduate Scholarship
2012 York University Graduate Recruitment Fund
2011 President's Student Leader, University of British Columbia
2011 Dean’s Graduating Leader, University of British Columbia
Curatorial Foreword, "ARCTICNOISE," grunt gallery, August 2015.
Review, “Somebody Everybody Nobody, Scrap Metal Gallery,” esse art + opinions online, April 9, 2015.
Review, “All Beneath the Moon Decays,” drain (Vol 12:1, 2014).
Interview, “Reckless Experimentations: An Interview with Iris Häussler on the Art of Failure” KAPSULA (Special Issue Summer 2014).
Review, “Mercer Union: push and pull,” esse art + opinions (no. 81, Summer 2014).
Review, “Eva Kotátková: When School Breaks,” Canadian Art online, May 28, 2014.
Review, “Colleen Heslin in Montreal: Can Painting Be Reinvented?,” Canadian Art online, April 21, 2014.
News, “Timeline: Beaverbrook Art Gallery's Decade-Long Dispute,” Canadian Art online, March 28, 2014.
Article, “Paul Butler Q&A: Linking Winnipeg to the Far North,” Canadian Art online, February 24, 2014.
Article, “Michael Landy Q&A: On the Art of Destruction,” Canadian Art online, February 19, 2014.
Review, “Counterintelligence: Declassifying the Shadowy Realm of Art and Military Intelligence,” Canadian Art online, January 29, 2014.
Review, “Geoffrey Farmer: A Light in the Moon,” Canadian Art online, January 8, 2014.
Review, “The Art Bank in the 21st Century,” Canadian Art (Winter 2013).
Review, “On an Art, and a Love, that Resists Cynicism,” Canadian Art online, December 5, 2013.
Review, “Emerging Indigenous Artists Make Their Mark at Prefix,” Canadian Art online, November 6, 2013.
Review, “Art Toronto Wrap-Up: Darkness and Light,” Canadian Art online, October 28, 2013.
Article, “7 Lessons from Sarah Anne Johnson,” Canadian Art online, October 26, 2013.
Review, “Sara Cwynar: Bringing Flat Death to Life,” Canadian Art online, September 13, 2013.
Journal Article, “"Active Engagement: Decoding the Politics of A4444", University of British Columbia, UJAH, 2011.
Catalogue Essay, “On ‘Landscape Permutations’”, Landscape Permutations by David Semeniuk, Gam Gallery, May 2011.
August 18, 2015 | ARCTICNOISE: DIALOGUES
Curatorial talk with Yasmin Nurming-Por at public event in response to the opening of ARCTICNOISE | Vancouver, BC
August 15, 2015 | 2015 International Symposium on Electronic Art
Terminus: Archives, Ephemera and Electronic Art, Presented by Ethnographic Terminalia and grunt gallery, VIVO Media Arts
Paper: “New forms, ARCTICNOISE” | Vancouver, BC
October 17, 2015 | iakwé:iahre [we remember]
Aboriginal Curatorial Collective/Collectif des commissaires autochtones Colloquium | Montreal, QC
Panel: "Digital Storytelling: Mobilizing Inuit Cultural Heritage"
Interview, “Andrei Molodkin And The Art of Oil", The Block Magazine, Issue 26 (2012).
Research and Editing, John O’Brian, “On Photographing a Dirty Bomb” in The Cultural Work of Photography in Canada, Edited by Carol Payne and Andrea Kunard, University of McGill Press, 2011: 182-194.
Research and Editing, John O’Brian, “ America Dropt a Bomb on Nevada”, Open Letter, 4:14 (2010): 63-77.
Article,“#(Re)occuring Themes”, Oops Magazine, 14:18 (2011), 22-23., January
Panel Member, Student Directed Seminar Advisory Committee, University of British Columbia
English – Read and Spoken
French – Read and Spoken
Contemporary Art, Canada, Historiography, Identity Politics, Intersections between Regionalism and Nationalism, Indigenous Cultural Expression, Landscape, Mapping, Vernaculars, Archives, Photography